We also see the same however with the sony models.
Lumix gh5s dynamic range.
Like the gh5 and 4 the gh5s can shoot using panasonic s v log l gamma curve to increase the dynamic range you capture and to make it more usable.
Our biggest goal when we started the project was to capitalize on the gh5s dual iso 400 2500 sensor which delivers excellent low light capabilities and nearly14 stops of dynamic range.
The best dynamic range is at iso 800 where it is 10 0 f stops.
Overall we are really impressed with the image quality of the gh5s especially when mastering in hdr10.
We have occasionally seen this before with micro four thirds sensors.
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Following in the footsteps of previous lumix cameras like the gh2 and lx100 the gh5s uses the multi aspect ratio format.
The dynamic range of the gh5s is a fraction better than that of the regular gh5.
The definition of usable dynamic range can vary based on a filmmaker s tolerance for noise and artifacting along with the intended use of the camera.
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3680 x 2760.
Panasonic lumix dc gh5 mirrorless micro four thirds digital camera b h.
The larger the pixel the more light it can gather which helps to reduce noise at high sensitivities just like sony s a7s series.
Dynamic range is above 8 f stops at all non extended iso s measured in the gh5s.
Designed exclusively for the lumix gh5s the new digital live mos sensor offers 10 28 effective megapixels and a significantly higher photoreceptive surface per pixel delivering an ultra wide dynamic range.
The highest video quality in lumix history.
The gh5s has newly designed chip with half the megapixel count 10 2mp.
Unusually the gh5s offers a consistent 12 stop dynamic range across the full test iso range.
At other iso s between the lowest iso 160 and iso 3200 the dynamic range was measured at more than 9 f stops.
It s not very much and because of the larger pixels you would actually expect the difference to be bigger.
In the lab the gh5s shows much lower noise levels than its rivals but real world testing suggests this is achieved only with very heavy noise reduction and detail loss.
This additional pixel level dynamic range is the reason the gh5s needs to offer 14 bit raw files.
At this year s cp show in yokohama japan we talked in depth with panasonic about the company s new lumix g9 and gh5s cameras and its increased emphasis on stills capture as well as high quality 4k video.
This is how it works.
Since you can t shoot raw video on these cameras the next best thing is to ensure you make the best use of the limited bit depth of the 8 or 10 bit footage the camera can capture.